The characteristic profile pose can be seen in this reproduction of Egyptian wall paintings. In a variation, sometimes the arms are shown extendedĭownwards by the sides, with the hands closed in tight fists. This frontal pose is one of two common human poses inĮgyptian imagery. The exterior coffin conformed to the shapes of the king's body, showing Tutankhamen in a rigid frontal pose, with his arms crossed across his chest. Tutankhamen's tomb consisted of three coffins, two outer ones made of wood, and an interior one made of solid gold. The tomb of the pharoah Tutankhamen (1327 BC) is the site of the most famous mummification in history. (The process was like a Russian matrioska doll, in which the smaller wooden doll goes inside a bigger one, and so on.) And so they embalmed their dead kings, wrapping them in layers of cloth, and placing the mummy in a series of coffins inside other coffins. Have you ever wondered why the Egyptians embalmed and mummified corpses? The Egyptians believed that a person's body must be preserved after death, if his soul was to live on in the afterlife. To grasp their approach to representing the human figure, we must first learn about the Egyptians' attitude towards life and death. In this lecture, we will begin by examining the Egyptians' treatment In the last lecture, we learned about the architecture ofĪncient Egypt. This representation of the body occurred centuries before Western artists explored this theme. But one thing that’s very apparent is that this life long feud gave Bernini and Borromini the fire needed to complete some of their absolute best work.The woodblock art of the Uyiko-e period provided an amusing instruction manual on sexuality. Proof that these two architects did, in fact, make these subtle designs to spite each other is still unfounded. The statue stands with her hand over her heart, allegedly worried that Bernini’s fountain will soon collapse as it was built with no soul, and isn’t able to hold the weight of the great obelisk. There’s also a myth that the Nile is hiding under a veil not because the source of the river is still unknown, but because he didn’t want to gaze upon the strange design of Borromini’s church.īorromini is said to have combated these slights from his rival by adding a small statue of Saint Agnes to the base of the bell tower of the church. It’s said that Bernini designed the figure Rio de la Plata with one raised hand to protect himself from the forthcoming fall of the church built by Borromini. Borromini was outraged that his ideas had been given to his rival, and so allegedly decided to make subtle changes to the church to poke fun at Bernini’s fountain. However, in the end, and to the surprise of all of Rome, Innocent chose Bernini to design his fountain and Borromini to design the Church of Saint Agnes in Agone. Happy with this suggestion, Innocent asked Borromini and a handful of other architects to submit their designs for his new fountain. Borromini also suggested that the fountain should have four specific sides, representing the four great rivers of the world the Nile, Danube, Ganges and the Plata. Innocent was a big fan of the modernistic work of Borromini, and so instantly chose him as the architect to extend the Acqua Vergine aqueduct for his fountain. As his visions for the Piazza Navona came to fruition, Innocent decided it needed a focal point, a central fountain incorporating a large Egyptian obelisk. Innocent decided to transform the bland space sitting in the centre of Rome into a grand plaza worthy of him and his prestigious family. Their feud was taken to an entirely new level in 1644 when Cardinal Giovanni Battista Pamphili was elected Pope Innocent X. I don’t mind that he has the money, but I do mind that he enjoys the honour of my labours.” They reluctantly worked together in Saint Peter’s Basilica, where Borromini began to feel disrespected and overshadowed by Bernini, even exclaiming. Bernini and Borromini had been clashing professionally for many years. However, it wasn’t the differences in their personalities that sparked the creative war of Piazza Navona, it was something much more underhanded.
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